迷失Z城

剧情片美国2016

主演:查理·汉纳姆,罗伯特·帕丁森,西耶娜·米勒,汤姆·赫兰德,爱德华·阿什利,安古斯·麦克菲登,伊恩·麦克迪阿梅德,克莱夫·弗朗西斯,马修·桑德兰,亚历山大·约瓦诺维奇,叶莲娜·索洛维,鲍比·斯莫德里奇

导演:詹姆斯·格雷

 剧照

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更新时间:2024-05-12 04:20

详细剧情

  英国探险家珀西·福斯特(查理·汉纳姆 Charlie Hunnam 饰)深入神秘的南美洲亚马逊丛林探险,竟发现未知的文明生活迹象,他回到英国公开这个意义深远的重大发现,却被当成笑话嘲弄,没有人愿意相信他的话。在爱妻尼娜(西耶娜·米勒 Sienna Miller 饰)无怨无悔的支持下,福斯特决心带领儿子杰克(汤姆·霍兰德 Tom Holland 饰)重返亚马逊丛林,寻找古文明存在的证据,一行人却离奇消失,从此再无任何音讯,成为史上最神秘又悬疑的失踪事件。

 长篇影评

 1 ) 三顾雨林——稳扎稳打的古典剧作

5- 胶片摄影质感,三次亚马逊丛林探险经历为主体的古典原型叙事为家庭、上流社会和战场(西方文明重要三件套),三个充满冲突的国内的场景所串联,始终抓住主角的内心。特别好的剧本 游走于殖民时代末期的文明与野蛮之间,文明的野蛮是残酷的,而野蛮的文明是浪漫的。 原型叙事让影片集中于主角作为一个理想的西方探险者的视角: 从第一次为提升地位、完成任务却“无心插柳柳成荫”,听闻Z城的传说与一窥其文明踪迹 到第二次逼迫于在文明世界中证明自己的焦急再度前往,为一同前往的上级所妨碍而失败 再到第三次经受战争洗礼如愿升职,认清文明世界之野蛮后跟随心之所向,魂归丛林。 反过来从土著印第安人的角度来看这三次探险也很有意思,经历了视主角团为敌人到友人再到敌人的节奏变更,也反映着整个西方世界局势的动荡与殖民主义的消亡。 第一次对主角团的敌意源于先到一步的德国殖民军的侵占,土著眼里英国与德国人显然并无什么分别。此时的主角也作为英国的殖民军中的一份子,“成功征服”了此地,而德国派来的探险者仅剩一船一尸,可能在象征扩张殖民地过程中德国的滞后与不利,一战也由此酝酿。 第二次主角为证明自己与野蛮之文明而来,土著部落则友善地接纳了他。彼时一战前夕,各国专注于文明间的矛盾,无暇顾及远在南美的探险事业。文明的野蛮暂时擦去了在雨林的足迹,野蛮便对主角展现出了其所望的文明。

而第三次土著再度展现出了敌意,则是由于美国人武装齐备的“探险”。一战过去,曾作为欧洲殖民地的美国崛起成为文明世界的霸主,也开始试图将文明的足迹印在南美的亚马逊雨林。意识到美国人因为自己关于Z城的作品被吸引过去,主角此行更有几分救赎的意味。

所以说这个剧本写的真不错,层次数次递进,节奏总在起伏。一个探险故事被挖掘升华到殖民与西方文明史的叙述,同时没有丢掉其本身作为一个理想浪漫主义故事的特质。触及女性主义议题是一个不小的惊喜。我理解里感觉比较遗憾的是,荷兰弟的儿子角色有一点工具化,变为主角年长之后的代表初心和理想主义的发声者,父亲长期缺席后微妙的父子关系没有特别感受到。

 2 ) 删减扼杀不了我们的探险梦

与DC重磅新作《神奇女侠》正面碰撞绝对需要勇气,稍稍有点票房野心的国产片都去挤国产保护月了,但进口片《迷失Z城》并没有这样的同等待遇,只好硬着头皮上吧。但上画前就传出遭广电总局删减大半的重大利空,一些流媒体对删减的槽点再大肆宣传,影迷们自然不指望它能长线放映了,只好抓紧有限的几天时间一睹为快。

影片讲述了一个英国的探险家福斯特寻找z城的故事,主人公有真实的故事原型。影片以丛林探险为噱头,宣称这是近几年最过瘾的丛林冒险题材,可惜还是谈不了广电总局的剪刀。血腥镜头被剪的一点不剩,只剩下缓慢的古典配乐和单线条的叙事让观影的你昏昏欲睡。我们抛开那些噱头,回归故事本身,其实探险梦比起那些恶劣的气候,食人鱼,野人外更让你印象深刻。

男主人公福斯特开始走上探险之路是为了重振家族的声誉和军队荣誉。身为少校的他为了勋章,处心积虑,抓紧一切机会表现,连射鹿献礼都不惜冒险。可惜在和平年代并没有给这位出身不好的军人太多机会,最后倒是皇家地理协会给了他一根稻草。只要探险有发现,就能获得勋章。

探险之路是艰辛的,遥远未知的路程,时刻突发的危险,同伴的受伤死亡,更可怕的是绝望的情绪笼罩在所有人的心上。福斯特坚持了下来,克服了种种,终于发现了陶瓷这一文明的标志,凯旋回国。

如果说开始为了勋章,再次前往就是为了向全世界证明自己的发现,野心进一步扩大。在权贵的财力支持下,福斯特一行再次踏上寻找z城之旅。这一次比恶劣气候更危险的是掉链子的同伴。你可以看出猪队友是多么可怕,骑了他们的马,毁了他们的食物,回国后还反咬了他们一口。权贵的伪善可见一斑。寻找z城再次不得不中止,无功而返。

第三次踏上寻城之旅则升华到灵魂深处。一战中碰到的灵媒告诉他,只有找到那个地方,你的灵魂才能安息。这是你的宿命。虽然战争损伤了眼睛,但儿子的踊跃报名,家人的精神支持,英国皇家地理协会的大力财力支持,旅程再次开始。虽然探险父子组合在丛林失踪,但在他们在探险界已是传奇,激励更多的人去探知未知的世界。

其实 《金刚》也是探险题材,但《金刚》更多的是破坏和反战。在这部电影中,主人公给予土著文明极大的尊重。不再是白人高高在上的尊容,而是平等与他们对话,绝不破坏和掠夺。再加上恒心与毅力,坚持自己的探险信仰,福斯特才会从众多探险家中脱颖而出,为我们所铭记。

梦想需要信仰般的坚持,什么都无法阻挡。体制,现实环境,审查都不重要,只要心中有梦,那团火就不会灭。你也许看不到,但你的后代会继承你的梦想继续前行,无往无悔。

 3 ) 都在说这个电影和传记和实际出入很大

The Lost City of Z is a very long way from a true story — and I should know
A new Hollywood film hypes Percy Fawcett as a great explorer. In fact, he was a racist incompetent who achieved very little

The new film The Lost City of Z is being advertised as based on the true story of one of Britain’s greatest explorers. It is about Lt-Col Percy Fawcett. Greatest explorer? Fawcett? He was a surveyor who never discovered anything, a nutter, a racist, and so incompetent that the only expedition he organised was a five-week disaster. Calling him one of our greatest explorers is like calling Eddie the Eagle one of our greatest sportsmen. It is an insult to the huge roster of true explorers. Had the advertisement been about a soap powder, it would fall foul of the Trade Descriptions Act.

Percy Fawcett joined the army immediately after school, with a commission in the artillery in 1886. The next 20 years involved garrison duty in Ceylon and postings in Malta and England. The only significant events were getting married and becoming a devotee (like many others) of the charlatan psychic Madame Blavatsky. Fawcett’s game-changer came in 1906, when he was 40. The army let him take the Royal Geographical Society’s course on frontier surveying. Far away in South America, Bolivia had just sold its rubber-rich province of Acre to Brazil, so it needed its new north-western boundary mapped. The Bolivians approached the RGS for a mature surveyor to do this. The society’s secretary asked the newly qualified Fawcett whether he wanted to go; he accepted, reported for duty in La Paz and was at work on the new Amazonian frontier by the end of the year. This survey was the best thing Fawcett did. But he described it as boring, because the new frontier was all along rivers. This was the height of the great Amazon rubber boom, so he and his team cruised from one comfortable rubber barraca to the next, taking their regular measurements.

Fawcett’s only publications were a series of papers in the Geographical Journal about his mapping work. But he kept a journal, and in 1953 his son Brian edited this and other papers into a book called Exploration Fawcett. He emerges from it as a typical Edwardian colonial officer — friendly with South Americans but looking down on them, appalled by the cruelty at some rubber stations, full of gossip about life on this remote but boom-rich backwater, and uninterested in nature apart from banalities about dangerous snakes and irritating insects.

In 1908, the Bolivians asked Fawcett to survey another of their frontiers with Brazil: a small river called Verde, far away at the north-eastern corner of the large landlocked country. The preparations were appalling. Fawcett took minimal supplies, since he was accustomed to being fed by rubber stations. This was the end of the dry season with the river at its lowest. So they soon had to abandon their boat and continue on foot. After only a week, all food was exhausted and they were really starving. Fawcett casually remarked that five out of his six peons died from the effects of this five-week disaster. This was the only expedition he led into unexplored territory.

The Bolivians invited Fawcett back in 1910, this time to map part of their boundary with Peru. It involved paddling up a frontier river called Heath and two meetings with indigenous peoples on the banks. The first group fired arrows and guns over their heads. But Fawcett waded ashore with presents and shouting a few words of ‘Chuncho’ (the Peruvian word for all forest peoples) that he had memorised but did not understand. That was the only time that Fawcett attempted any language other than Spanish. Further up the Heath river, Fawcett met a tribe he called Ecocha (now Ese Eja) whom he really liked. They were ‘embarrassingly hospitable’ with their food, so Fawcett spent a few days with them and recorded something of their ethnography. He returned for a second visit in 1911.

After a final survey for the Bolivian government in 1913, of the upper Beni river in the Andes, Fawcett went sightseeing in central Bolivia. He and two companions were paddled down the big Guaporé river. They stopped at Mequens on its Brazilian bank to visit the Swedish anthropologist Baron Erland Nordenskiöld and his attractive wife, who provided guides to take them on a walk inland to visit a people they called Maxubi (now Makurap). The Maxubi were friendly and hospitable, but continuing on a forest trail Fawcett met another tribe (probably Sakurabiat) to whom he took a violent dislike. When one aimed a drawn bow at him, Fawcett shot the man with a Mauser revolver — absolutely forbidden by Brazil’s Indian Service. He described them as he imagined Neanderthals or Piltdown Man to have looked: ‘large hairy men, with exceptionally long arms, and foreheads sloping back from pronounced eye ridges… villainous savages, hideous ape men with pig-like eyes.’ No Amazonian Indian has body hair or looks remotely like this — I know, because I have spent time with over 40 different peoples. These two groups, and the two on the Heath, were the only tribal people seen by Fawcett. He liked two of them. So it was strange that he wrote racist gibberish that ‘there are three kinds of Indians. The first are docile and miserable people, easily tamed; the second, dangerous, repulsive cannibals very rarely seen; the third, a robust and fair people, who must have a civilised origin.’

When Fawcett was in the cattle country of central Bolivia in September 1914, news came of the outbreak of war. So he hurried home and by January 1915 was back in the artillery. In his late forties, he was too old for frontline service; but he fought a good war, ending as Lieutenant-Colonel.

In one of his pre-war lectures to the RGS, Fawcett had spoken of possible ancient ruins in the Amazon forests. He was now told about a scrap of paper dated 1743 in which bandeirantes imagined that they had seen a deserted city in the jungles. (The bandeirantes were slavers who scoured the interior of Brazil for Indians to capture. Although most of these thugs were illiterate, others did write reports about their travels — none of which said a word about seeing ruins.) Fawcett gave this imaginary ‘lost city’ the codename Z, and finding it became an obsession.

The easiest forest tribes to visit in Brazil were on the headwaters of one of the Amazon’s southern tributaries, the Xingu. A German anthropologist had contacted a dozen amiable peoples there in 1884; and since then they had been visited by seven groups of anthropologists or Indian Service officials. All had walked in by the same trail. So in 1920 Fawcett tried to follow this route — even though it was nowhere near where the chimera city might have been. His plans went wrong, so he got no further than a ranch halfway along the trail. In 1921 he searched for the mythical city down on the Atlantic coast, by train inland from Salvador da Bahia; but, hardly surprisingly, the miners there knew nothing.

In 1925, by now penniless but desperate, Fawcett tried again to reach the upper Xingu tribes. He now took two inexperienced ex-public schoolboys, his son Jack and Jack’s friend Raleigh Rimmel. The old surveyor made two suicidal pronouncements. One was that the trio should travel light, with nothing more than small packs. Everyone in Amazonia knew that you could not cut trails and keep your team fed with fewer than eight men. (I can confirm this, having done months of such cutting and carrying.) But Fawcett sent their pack animals and porters back, and continued with only his two novices. His other dictum was that Indians would look after them. This was equally dangerous. The Xingu tribes pride themselves on generosity; but they expect visitors to reciprocate. All expeditions in the past four decades had brought plenty of presents such as machetes, knives and beads. Fawcett had none. He committed other blunders that antagonised their hosts. So it was only a matter of days before they were all dead.

Twenty years later, Chief Comatsi of the Kalapalo tribe gave a very detailed account of Fawcett’s visit, reminding his assembled people of exactly how they had killed the unwelcome strangers. But the German anthropologist Max Schmidt, who was there in 1926, thought that they had plunged into the forests, got lost and starved to death; this was also the view of a missionary couple called Young who were on another Xingu headwater. The Brazilian Indian Service regretted that Fawcett, who was obsessively secretive, had not asked for their help in dealing with the Indians. They felt he was killed because of the harshness and lack of tact that all recognised in him.

Such was the sad tale of this incompetent, whose only skill was in surveying. But the disappearance of an English colonel while searching for a mythical ancient city in tropical rain forests was a media sensation. Two expeditions went to try to learn more. There was revived interest in the 1950s with the publication of Exploration Fawcett and the Kalapalo chief’s account of how they killed the Englishmen. Then it was forgotten until 2009 when David Grann, a talented writer, published The Lost City of Z. Unfortunately, Grann hyped the story out of all proportion and wrongly depicted Fawcett as a great explorer.

As he cheerfully admitted, Grann had no experience of rainforests. But he let his imagination run riot, with pages about ferocious piranhas, huge anacondas, electric eels (actually a fish that has never killed a man), frogs ‘with enough toxins to kill 100 people’, ‘predator’ pig-like peccary, ‘sauba ants that could reduce the men’s clothes to threads in a single night, ticks that attached like leeches (another scourge) and the red hairy chiggers that consumed human tissue. The cyanide-squirting millipedes. The parasitic worms that caused blindness…’ and so on. Everyone who know tropical forests, including me, knows that almost every word of this is nonsense.

Fawcett himself gave a simple account of his four surveying journeys for the Bolivian government. But for Grann, ‘in expedition after expedition… he explored thousands of square miles of the Amazon and helped redraw the map of South America’. Fawcett admitted that he was ‘a greenhorn in the jungle’ and knew nothing about nature. But Grann wrote that he moved ‘inch by inch through the jungle, tracing rivers and mountains, cataloguing exotic species… [until] he had explored as much of the region as anyone’.

For Grann, Fawcett was competing against other explorers ‘who were racing into the interior of South America’. The only study that Fawcett made after leaving school in 1886 was his RGS surveying course. He never mentioned any library research. But for Grann he was ‘almost unique’ in viewing 16th- and 17th-century chronicles ignored by other scholars; he re–evaluated El Dorado chronicles and consulted ‘archival records’ and ‘tribesmen’ in ‘piecing together his theory of Z’. Not a word of this was true, either.

Grann wrote that, as an author, he would have been lost without my three-volume, 2,100-page history of Brazilian Indians and five centuries of exploration. He quotes quite often from my books. So he had no excuse for describing Fawcett’s brief visits to three indigenous villages as the ‘discovery of so many previously unknown Indians’, from whom ‘he learned to speak myriad indigenous languages’, and adopted ‘herbal medicines and native methods of hunting [so that he] was better able to survive off the land’. Equally absurd was his rubbish about cannibalistic tribes, blow guns with poisoned darts, or Kuikuro menacing him with ‘gleaming spears flickering’ from the undergrowth (they never used spears, or had metal even, before their contact 130 years ago).

When the colonel vanished, Grann writes that ‘scores’ of explorers tried to find him, and that ‘one recent estimate put the death toll from these expeditions as high as 100.’ Actually, only one search expedition reached the Xingu, led by George Dyott in 1928. (It found that the three Englishmen had been killed by Indians.) The only other expedition was in 1932, but it got only as far as the Araguaia river far to the east. The death toll from these two attempts was zero. In 1935 a ridiculous actor called Albert de Winton went by himself to the Xingu and was killed by Indians who wanted his gun. So if we count him, the death toll is one — well short of Grann’s 100.

These and a great many other passages are artistic licence and hype of an absurd order. Hollywood believed everything Grann wrote, and then hyped it up more. People wishing to learn about the maverick colonel should consult his own fairly modest memoir — not the recent fantasy book and film about him. But I could recommend scores of writings by real explorers.

John Hemming is a Canadian explorer; the three volumes of his history of Brazilian Indians are Red Gold (1978), Amazon Frontier (1985) and Die If You Must (2004)

 4 ) 探险家的危险旅程

探险家Percy Fawcett生于1867年,深入亚马逊河谷5次直至最后一次消失在密林之中。影片改编自他的故事。
        佛斯特的父亲生于印度殖民地,哥哥是登山家与冒险小说家。佛斯特自己一心想从事更加冒险有趣的职业,所以佛斯特几乎不假思索地就接受了去南美画地图这样的使命,也开始了他的冒险人生。
       看到一张冒险家本人1911年的照片,那时候他已经成功地完成了几次亚马逊河域的旅程,照片上的他紧蹙眉头,神情严肃,并没有那种轻松喜悦的神色。
       影片中的福斯特梳着一丝不苟的油头,绅士气十足。他在途中读妻子写下的歌颂英雄主义的诗歌。佛斯特第一次探险归来的时候得到了热烈的欢迎。他与怀抱幼子的妻子在人群中拥吻。英格兰歌舞升平,生活惬意,波澜不惊,与密林丛生,四处是未知的野兽以及印第安部落的亚马逊形成了鲜明的对比。可是佛斯特坚信自己发现了失落的文明,执意要再次踏上旅途。妻子看着佛斯特在高堂上神色坚定地号召人们去寻找Z文明,又骄傲又担心。终于他和妻子爆发了争吵。可是争吵后,他还是和同伴踏上了九死一生的旅途。不过这次他们铩羽而归,并没能到达Z。
     时光到了一战,年近50的佛斯特自愿到前线服役。在战场,一个女巫对佛斯特说,你所发现的,远比你想象的更加伟大,你要再去寻找他们,这就是你的命运。佛斯特与曾经一同探险的伙伴在同一军营服役,在一场战斗中,几乎命丧德军毒气战。在病床上,佛斯特说自己梦到了亚马逊的从林,可是医生说介于身体状况佛斯特不可能再踏上那样的征途了。佛斯特的长子Jake看着在病榻上痛哭流涕的父亲,却默默与这位缺席家庭生活多年的父亲和解了。
     最后,Jake鼓励父亲再次踏上征途,也许是战争与缺乏父爱的童年让Jake对人生的意义充满质疑,Jake坚持要与父亲同去。他们一路上都受到高度关注,在火车站为他们喝彩的人不计其数。可是这次终究是一次致命之旅,父子俩在丛林里走过之前的那些路,发现曾经人烟兴盛的城市已荒废,终将父子俩也成了迷失的一部分,都没能再回来。
     维基百科上提供了福斯特父子结局的很多说法,但没有一个说法能够被证实。有一个说法是佛斯特丧失了记忆,在一个食人部落里生活并成为了首领。又有很多其他的说法表示父子已被杀害。
     影片并没有英雄主义式的煽情。全片色彩古典,更像是流畅的叙事。里面间或的南美片段,也让人想起马尔克斯的小说。
     不管是探险,还是一战,佛斯特度过了那样危险重重的一生。在那些濒死时刻,他想起的都是恍如隔世般的英格兰,可这些却是他放弃的生活。他曾经幸运地找到过Z的一些遗迹,却终其一生再没能踏上Z。
      但是你能说,佛斯特的一生都是无用功吗?用佛斯特自己的话说,这就是他的命运,他们完成了别人无法想象的旅程。

      看完电影出来,里昂正是暮色降至的时刻,看着平静美好的街道与河流,想想有人能够放弃这样的生活,坚持去完成那件十分危险的使命,又觉得其实世界是属于有勇气的人的,我们今天对世界的很多认知,都是由这些勇敢的古典旅行者缔造出来的。

 5 ) 一个隐喻和一个祝福

还挺意外的,原来不按教科书叙事理论拍的片子是这样的。
躲开了英雄的塑料味儿,结识了一个人,管窥了一战前英国的一段社会阶层关系。

个人觉得最关键的梗,在他妻子最后对他念的一封小信,关于什么是活着。
值得背下来。

z城不是一个城。片中也从来没对这座城有过多的渲染,不过是一些小碎片拿出来作为电影不可不用之物摆摆样子。
z城隐喻的是深藏在每个人心里的那个梦想。
对z城的追寻和殉葬,这其间所损失的寻常人生,付出了爱人、朋友、社会地位、儿子的生命、自己的生命——一切人生必要且珍贵之物的代价,而那个梦想是否真的实现了呢?也始终未知。

那又如何呢?
那又如何?
去背片尾他妻子的那封小信。

祝福,是由俄罗斯女巫送上的。
她说‘这是你的使命’。

能清楚的找到自己的使命,清晰的明白它高于一切人生需求,在每一个需要做选择的关头,毫不犹豫的选择它。
这是莫大的幸福。

所有的战斗,都没用轰轰烈烈的处理。战场就在平淡之中,就在寻常生活里,就在每一个细小的选择之间。
愿我们都能发现自己的z城。
迷失其中,也是一种完美的结局。

 6 ) 勇者最先了解世界

电影《迷失Z城》改编自美国作家大卫·格恩的同名小说,展现英国军人珀西·福斯特对亚马逊平原未知地区的三次探索,以及他坚持不懈寻找人类文明失落之城的故事。

影片以极具英伦风格的草原猎鹿游戏开始,色调暗黄的画面如陈旧书卷般徐徐展开,叙事脉络十分古典。珀西·福斯特成功在游戏中拔得头筹,却在献礼宴会上受到冷漠接待而不禁失意重重。原来,父辈遗留的坏名声让珀西长期陷入身世的牵绊,难以凭借自己的能力争取军事上的荣誉。于是,促使珀西第一次走上探险之路的,便是一份被承诺或许能够重振家族声望的派遣工作——到玻利维亚的未知地带测绘地图。然而正值壮年的珀西渴望建功立业,想要身体力行地参与军事活动,对于这份看似枯燥乏味的徒步工作根本没有多大兴趣。可以说珀西最早来到亚马逊平原,纯粹只是为了能够在探险中取得成果,求得荣誉和出头的机会。

珀西·福斯特与副官亨利·克斯汀一行人踏上环境恶劣、疾病四溢的玻利维亚东部,准备着威尔第河的标识测绘工作,也开始了持续几年的野外生存。在这个过程中,珀西作为“陌生之地的陌生人”见识了热带雨林的凶残生物,参加了原始森林里的独家音乐会,在到达雅各比亚时,还分别接到政府的禁行警告及当地权势的人力资助。他们不断前行,在被沿途野人和食人鱼攻击、食物消耗殆尽的情况下坚持到达最终的测量点,顺利完成任务。而对珀西来说,相比任务的完成,在威尔第河上游发现的几个古代陶制碎片,更令他兴奋。

因为带路的土著向导曾经对他,一个原始森林的探路者表达过怜悯和不屑。似乎在土著向导看来,像珀西这样的白种人只能一次次地试图探索亚马逊一带,却不能成为真正的征服者。因为这里并不是像白种人们印象中的野蛮之地,这里有更高、更久远的人类居住历史和文明。

找到古董,这可以说是一个节点。在此之前,珀西认为土著向导“疯了”;而在此之后,珀西开始相信这个文明的存在,并且对他口中的“黄金之城”产生了巨大的兴趣。土著向导对于“黄金之城”的信仰和迷恋,逐渐转移到了珀西身上。

珀西为了改写家族命运而进行丛林探寻,却在探寻道路上,找到了自己的命运。

探险改变命运。的确,珀西带功而归,他受到了前所未有的礼遇和拥戴,也终于能和家人团圆。作为“英格兰最勇猛的探险家”,珀西顺利进入上流社会圈子,开始将自己在亚马逊的考古发现宣告与众。他的态度很明确:原始部落未必生存着“野蛮人”,亚马逊平原也未必就是“绿色荒漠”。想要证实更古老的文明,就需要有人继续涉猎下去。

皇家地理学会的态度也很明确:我们不愿意承认,但不妨碍你亲自尝试。

珀西将“黄金之城”命名为“Z城”,寓意为人类文明的最后一块拼图。这块让他魂牵梦萦的拼图,驱使珀西和他的伙伴们再次深入雨林。相比第一次的勉强成行和刚刚发现古迹时的兴奋,珀西这次的探险更具使命感。20世纪初,南美洲大量原始部族的土著被枪火和疾病虐杀,存活下来的更多沦为奴隶,没有人权和自由。在当时的欧洲人看来,那些印第安土著就是没有文明的“野蛮人”。显然,珀西涉足的领域是对原始人具有现代生存能力和历史文明的强烈辩护。正是因为珀西到过亚马逊一带,亲身的体验让他看到的比地理学会在座的更多,所以他才想要打击教会浸透的虚伪宣扬,才想要找到更多的证据来打破人们对于原始森林的狭隘认识和误解。

值得注意的是,在地理学会的演讲上,有人对珀西的理论提出质疑,他们声称自己也曾到过南美洲,并坚持那是一片蛮夷之地。珀西指出,你们的“到过”是游览,是休闲。而提到自己的那趟旅程,珀西强调是“Exploration”,是探索而非游玩,是深入和发现未知。如果不能真正深入、再深入,是不会有新发现的,也就不能为隐藏文明找到存在依据。就像有人去测绘才能制出地图,这样一个崭新历史的篇章,是需要有人亲自拨翻的。

珀西接受了这个挑战,成为了第一个向未知迈步的人。

在1912年开始第二次探险里,珀西依旧遭遇原始人的围攻。不同于上次的盲目躲避,珀西开始选择使用策略。他学着与原始人打交道,用奏琴唱歌的方式使他们放松警惕,最终获得原始部族的信任,一行人受到礼遇。关于被原始人的多次被围攻却一枪不发,可以认为是珀西对原始人是抱有很大的善意,也可以认为是他对找到失落Z城的渴望极盛,以至于小心翼翼地不想打断一切可能的线索。沿途的部落发掘,无形中增加着珀西对于Z城的期待值。

由于中途同伴的背离和环境原因,食物匮乏的珀西一行人不得不停滞返程。

在第二次的行程里,珀西没有找到所寻的答案,但是对于探险世界,他有了新的感悟。开始,珀西是带着为原始人辩护的责任而行的,还是站在了一个征服者的角度。而当他与原始部落打过交道后,便为原始人的生活智慧所震惊,开始铲除了内心全部自大、轻蔑的心理,从一个全新的立场反省和重新审视。结论就是:我作为探索者没有给他们(原始人)带来什么。相反的,我的探索为我找到了不一样的世界,我看到了更多。是他们(原始人)引导了我的探索,带给了我不一样的眼光。

于这种感悟之下,珀西开始对这片绿色平原产生了深深的敬意,甚至是敬畏。这个时刻,可以算是珀西·福斯特探险人生中的第二个节点了。

第二次从亚马逊归来已是战争时期,珀西退出地理学会,被征召参战。然而身在黄土漫天、硝烟四起的战场,珀西心中念念不忘的还是那个等待他去找回的失落Z城。记得影片开始时,珀西是很在意亚马逊的任务不能发挥自己的军事能力,更不能在战场大展宏图的。是在亚马逊丛林的两进两出改变了他的心性。

正如战时的灵媒所言,珀西心中有不能抹去的记忆和狂热的追求。他所盼望的东西或许比他所幻想的更加伟大,也更加难以放弃,因为这是他的灵魂所向,是他的宿命。

探险,是珀西·福斯特的命运。是探险帮助他抹掉野心与戾气,引导他找到内心真正之所向,也在无形中替他挥去杂念。

这一路找寻,不仅是对于神秘的Z城,也是珀西对自我的重新认识。

珀西在战场上中毒倒地,眼前的天空不再是污浊的炮火烟灰,而是清晨时雨林里的薄暮和光,是来自内心的引导。生来就是属于那里的人,才能做到无时不刻身在其中。

“我必须回去。”否则人生便没有希望了。

珀西的丛林探险使得北美大陆掀起一阵探险热潮,为了赶在使用现代破坏性武器的美国人之前找到Z城,珀西的大儿子杰克对父亲发起了回归亚马逊的邀请。

某种程度上来说,大儿子杰克是珀西探寻失落Z城的见证人。在他童年每段需要陪伴的时期,父亲都在野外艰苦地寻求生存。父子同心,热带雨林的虫咬鸟鸣,想必杰克渴望这种感受已有很多时日了吧。

影片对于杰克与珀西的关系上,有不少细致的描写。

在珀西第一次出行之前,年龄尚小的杰克与他很是亲近,猎鹿献礼时第一个冲上来与父亲亲热;珀西从玻利维亚归来已是几年后,杰克长大了一些,对父亲的印象却不深了。他僵硬地抱了抱珀西,问他:“你是我爸爸吗?”而当珀西第二次从亚马逊回来、又马不停蹄地准备替国征战时,杰克最大程度上表现了他的不满。他质控父亲抛弃家庭,误解珀西的探险为争名夺利的做为。为此,珀西打了杰克一耳光,杰克愤然离去;等到珀西带伤从战场归来,杰克表面上冷言冷语,似乎还在为之前的耳光怄气,却在众人离开后心疼得掉下眼泪。可见,父子感情很深,而且情感的搭建和刺激离不开父亲的探险生活。

显然,杰克受父亲的影响也很大。是珀西的勇气和毅力让杰克在很少的父亲陪伴中反而更加爱戴父亲,也使得珀西对于Z城的追求延续成为父子二人共同的旅程。珀西作为父亲,身体力行地教会了杰克如何抗拒恐惧,这种引导是潜移默化的。

这个引导对于家庭的另一成员,珀西的妻子也是一样。丈夫有三次探险,她便有三次不同的态度和表现。从第一次的坚强独立,到第二次的否定崩溃,再到第三次的安然同意,妻子不断地被丈夫甚至儿子的气焰打败。他们天性的力量,强大到可以帮助自己的妻子和母亲战胜恐惧。

第三次探险,珀西带着儿子不断深入原始人生活,二人放心大胆地接受部族照顾。他们相信“上帝髦下,众生平等”,愿意将生命交给上帝,也尽一切可能接近原始人的文明真相。

不幸的是,父子二人在一次徒步中被不识的部族包围,陷入困境。

杰克绝望地感叹道:“我们今天就要死在这儿了。”语气中不单单是对死亡的恐惧,还有对于没有找到Z城的遗憾和愤恨。

珀西的回答却不置可否:“……但你我这一段冒险旅程是世人想象不到的,它给了我们内心的理解与感知。”

与前一次探险中不寻结果不回头、有着殊死执念的珀西不同,这次的体验给了他更新的感悟,那便是:探险的人生不在于真正到达终点,而在于走过时对世界的感受,在于不断前进之前的最前一步,在于不断前进之后紧接着的那一步步。

能够赶在别人之先体会无人知晓的世界,一定是件很美好的事情吧。

这大概是珀西探险人生中的第三个重要节点了。

关于珀西和杰克的结局,影片没有给明确的答案。父子二人被原始人抬上蜿蜒的道路,周边满是星星点点的火光,照得珀西闭上了眼睛。镜头转换间,珀西看到了记忆中妻子的笑脸。她从没真正到过亚马逊平原,但在这一刻幻影里的她,却又好像同自己站在一起,从没离开过这片神秘的土地。

珀西·福斯特的人生被探险丛林所改变了,他的行动也为后世对于亚马逊一带文明的发掘做出了巨大贡献。而驱动珀西追逐Z城、探险丛林的那些陶片古董,凝聚了他对于世界神秘地带的最初接触。

我们对于世界的了解和敬畏,会变成理想,帮助我们坚持走在途中,并找到意外收获。到最后发现,理想并不是走到最终目的地,而是首先迈出的不同步伐,而是迈步之前的决心,追寻的乐趣。

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 短评

直到片尾看到producer是布拉德皮特之后才恍然大悟为什么电影里的男主角们一个个都长的像布拉德皮特ok

5分钟前
  • 黄柑柑
  • 还行

事实被改编成非虚构文字作品,这其中就不勉存在对真实的删改,再到被改编成电影,又是更多的删改,现在又在这样的电影基础上剪掉三十几分钟那又能怎样?如果让大卫·柯南伯格拍多好,拍成像危险方法那样。关于这部电影我比较喜欢的一点是,许多场景非常适合配上德彪西印象主义音乐。

7分钟前
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  • 还行

今天觀影非常愉快:片尾亮燈放字幕時,工作人員進來問還有人嗎?我以為又要被提醒沒彩蛋啊什麼的,結果工作人員竟然說,衹是近來確認一下,並沒有不讓看字幕的意思,於是非常安穩地聽完了片尾曲。享受!【日後補五星

10分钟前
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直男和直男去大自然 直男和胖子去大自然 直男去打仗 直男和儿子去大自然 大自然真好啊儿子我们别走啦…… 冗长散漫的直男历险记 orz 我和友邻看的是同部片吗 出色的剪辑在哪里呀?迷失在Z城里厚?

13分钟前
  • 小捌
  • 较差

在所有逆流而上的丛林公路电影里,格雷无疑贡献了最古典肌理的版本;但视听乃至于剧作上古典优雅得越不可挑剔,丛林的野性和主人公的痴迷却也就越不可体味。

14分钟前
  • Peter Cat
  • 还行

喜欢两个地方。一个是用笔记本挡箭,二是男主带儿子走后镜头从他老婆的卧室里急速后退。总体就是流水账,太长。Sienna Miller的角色和《美国狙击手》里完全一样,是故意的吗?

15分钟前
  • 猫猫
  • 还行

不是很能理解帝国时期对外扩张的野心和夙愿。结尾那一刻,被食人族抬走的父子给人一种仪式感的动容,其他部分很无聊。

17分钟前
  • 踢迩达
  • 还行

听闻院线删了30分钟吓得没去看,看得蓝光,主题很深刻,理想乌托邦与现实之间的对弈,心怀梦想的人,永远也逃不出文明的桎梏,反而被自然之力反噬,迷失在文明与自然之中。实拍场景和摄影点赞,整体还是有些太长了

19分钟前
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美轮美奂, 有几场戏好像幻境, 从战场穿越到丛林, 像梦一样开枝散叶, 有点《蛇之拥抱》的错觉。老派的故事和画面真是让沉迷古典的人欲罢不能。有人会说平淡,可要拍成《夺宝奇兵》我就中途退场了。选角棒,帕丁森居然有种迷之帅气(差点认不出),而湖南一定是今年的最劳模最帅男主!

22分钟前
  • LORENZO 洛伦佐
  • 力荐

难怪公映版本要删减…

27分钟前
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  • 较差

不是先进文明对落后文明的俯视,而是工业文明对古老文明的反哺。詹姆士·格雷用充满历史厚度的古典拍法讲述南美开荒的鲜花与骸骨。让人魂牵梦萦的Z城啊,你也是我的南美情结所在...

29分钟前
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拍出了Z城对珀西致命的吸引力,却没拍出Z城对观众致命的吸引力。

33分钟前
  • 冰山的阴影
  • 还行

古典沉稳,如幻如雾,他内心拥有河流森林湖泊,愿付诸终生寻觅未知,见他人不曾见过的风景,经历他人不曾拥有的人生,名利如浮云,飞鲲驰万里。影像从来只是冰山一角,世界从来只属于勇敢的人,而我不过坐享其成罢了。

37分钟前
  • 秋天的黛西
  • 推荐

6/10,强烈谴责国内引进方为了增加排片赚钱蓄意删减的行为,看的如坐针毡,前面看的非常不适应,因为剧情推动的太快了,快到让我莫名其妙,以至于看完对人物动机和形象都没啥印象,所以如果对故事感兴趣的我还是不建议去看这个删减版,因为看的会很痛苦、很恶心、很想暴打提议删减的那个人。

42分钟前
  • 二月鸟语
  • 还行

第一次看James Gray,没想到居然是一部古典韵味浓厚的浪漫主义史诗,剪辑摄影都太太太优秀,每场戏都看得如醉如痴,最后五分钟更是格外震慑人心,结尾一镜回味无穷

46分钟前
  • Steamed Punk
  • 力荐

各方面都很主流,格雷最平庸的一部

49分钟前
  • LOOK
  • 较差

I had a farm in Afri...对不起,进错片场。在亚马逊带着一箱吃的不敢往前多走一天,贝爷哭了。这是一个重在精神的冒险故事。想看雨林和土著文化的可以退散。其中参杂的男女和种族平等讨论,意愿是好,但手法生硬论点过于超时代,太假。影像古典路数,但是素材取舍不当,不显稳重精巧倒是拖沓了

52分钟前
  • 小斑
  • 还行

散轶的探险笔记,扑火的飞蛾;我们对世界,对彼此,对自己的探索,已知与未知的比例,大概永远都是恒定的。

57分钟前
  • 战将波舰金
  • 推荐

电影生动而深情地诠释了什么是“魂牵梦绕”。本来过度浪漫化这种直男历险、白人拓荒的电影不算是好事甚至是雷区,但格雷很完美地闪避了这些,用自己娓娓道来的节奏把一个神秘而传奇的故事完全复原,我身临其境无法自拔。而且本身有些遗憾的收尾,被最后一个镜头全部挽回,看完真是恍如隔世般感动

1小时前
  • 米粒
  • 力荐

141分钟版。人物传记,冒险呢?没有,甚至在这方面的描写都很差,很简单的(仅受到一次攻击和食物危机)就到了没有(白)人发现的地方并发现文明,很简单的从没有人能回来的地方回来。

1小时前
  • 无姓之人
  • 较差

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