惊沙

西路军征战河西，太惨烈。想二十年前，我还去过高台，可惜年少不识愁滋味，不懂得西路军的历史，更不知道长征后的外祖父跟着徐向前的西路军就蹒跚在河西走廊，九死一生！

角色塑造和故事情节比刚看的《歼十出击》要好很多，但战斗场面的细节还是很有问题，烟火、特效、战术动作、子弹供应——其实开篇都说了，韩为了搞到两三千发子弹，不慎上了马匪的当，使几名红军牺牲，差点儿受处分，可见西路军的捉襟见肘。但是双方一开火，机动性极强的马家军也没携重武器，秦基伟部倒还有几挺重机枪，却到处是火药炸点。这是国产战争片的通病。

片尾歌功颂德意味太明显。不过，无数先烈的奋不顾身，太值得今天去倍加珍惜。

票价只十元。我几乎包场，这是最悲哀的。

片中插曲配乐是关峡的《轨道》，熟稔，激动。钢铁的意志钢铁汉，百战百胜美名传。

主题曲更动人。《化作星辰伴随着你》一出，默默泪流。

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昨天的风　昨天的雨

昨天血染的戈壁

今天的天　今天的地

今天高扬的国旗

不要说我已倒下

看不到黎明的晨曦

不要说我已离去

听不到胜利的乐曲

 

啊　我看到了　你已傲然站起

啊 我听到了　你在自由呼吸

 

来　来　来　来　来吧

来　来　来　来　来吧

我们集合　我们集合

我们集合　我们集合

去参加祖国生日的贺礼

 

来　来　来　来　来吧

来　来　来　来　来吧

我们出发　我们出发

我们出发　我们出发

铿锵的脚步　铿锵的脚步

铿锵的脚步　铿锵的脚步

惊天撼地　惊天撼地

 

昨天的风　昨天的雨

昨天血染的戈壁

今天的天　今天的地

今天高扬的国旗

亲爱的　我不会倒下

化作星辰伴随着你

亲爱的　我绝不离去

永远守卫你精神的高地

 

啊　我看到了　你正傲然崛起

啊　我听到了　你在长空搏击

 

来　来　来　来　来吧

来　来　来　来　来吧

我们集合　我们集合

我们集合　我们集合

铸成祖国刚健的躯体

 

来　来　来　来　来吧

来　来　来　来　来吧

我们出发　我们出发

我们出发　我们出发

像惊沙呼啸　像惊沙呼啸

像惊沙呼啸　像惊沙呼啸

狂飙万里　狂飙万里

  


 

我一直对我们国家的很多电影奖，抱有极大的怀疑。

这部电影中，有很多始终不明白的事情：
1、片名是神马意思？
2、那对兄妹的感情，太暧昧了。
3、……
太多了，我都记不住了。

我常常责备自己，没什么审美，因为我始终都欣赏不了主旋律电影。
就爱娱乐片。

导师特别善良的说，战争场面拍得还行。

作为看着美国电影长大的人，我实在找不出可以和美国电影战场场面较量的地方。

好吧，我比较不厚道。

基本符合历史事实，比较客观。
战争的残酷表现得淋漓尽致，没有过分的夸大和粉饰，比同类的国产战争片要好太多！！！！

这个电影很主旋律，但是如果是为了弘扬主旋律，就不会拍马步芳的题材了。这段历史被有选择的忽略，出版的书和影片很少，西北军的故事大多流传在坊间，被正史淡忘也就渐渐被人遗忘。能拍成电影，一定环境下必须得又红又专。

这场战斗的实质是两股力量为了争地盘，一部分国人打另一部分国人。到了当时的形势下，已经无法分谁对谁错，尽管都知道自己人打自己人没意思，但是战争无法避免。成王败寇，自古如此。所以看看电影反映出的战争套路。

马步芳力量

1.在西北拥有一定地方影响和号召力，电影中告密者也是暗示。

2.熟悉地形，拥有地利优势。

3.武器精良，供给充分，军队强悍，尤其是骑兵。

4.武装先进，但是归根是西北地方势力，而红则是全国皆兵。

5.旧军阀缺乏信仰装饰，纯依靠奖赏和威吓。

红方力量

1.重视信仰教育和宣传得人心。即便是死了也是光荣，即便死了也得先要拉上一堆西北同胞。自己人再苦也要善待俘虏，这是对全国的宣传，占据道德制高点瓦解了敌方军心。

2.善于战略布局。分得清主次，下得了狠心，为了弹药、现金等物资，死一部分人没什么。为了保卫首长，或者大部队转移，丢弃一部分人很正常。但是，要给这些赴死之人价值感。

3.我方目标是全国，势力也在全国。马步芳虽强但也只是地头蛇。

电影好的地方是拍出了战争的惨烈，一个个生命就在底盘争斗中消失。不好的地方是，把西北人构成的马家军拍的跟日本鬼子似的。

兴，百姓苦。亡，百姓苦。

 The Victory Is By No Means Accidental
A review of the film JING SHA

By Veronica

The film Jing Sha was quite heart-shaking. It was adapted from an authentic historical event.The film describes the story of Red Army Western Expenditure, and portrays several distinctive characters. The battle between Kuomintang and the Red Army is stirring, and the stark contrast shown in this film is also shocking.
The whole film was structured on the basis of a stark contrast between the two forces.
Their attitude towards war was enormously different. At the beginning of the film, the head of Kuomintang army forced his soldiers to fight, using carrot and stick. He promised to give them whatever they want while executed the soldiers who defected or withdrew by shooting as a warning to others. For the soldiers in the Red Army, the situation was just the opposite. They wanted to stay at the warfront and fought until the last. They chose to stay even being forced to leave. When their lives were at stake, they put others’ interest first and cared little about themselves. The doctor put himself in danger saving the patients; the pregnant woman preferred to die fighting rather than leave. The wounded, the women, and even the children fought until the last moments of their lives.
Second, the contrast manifested in the combat equipments. The Kuomintang army used state-of-the-art combat equipments, and they ate well and drank well. But for the soldiers in the Red Army, they ate barks and grass roots. They didn’t even have enough guns and bullets. Bricks and stones were all their weapons. When all the munitions ran out, they pick ed up broadswords and fought hand-in-hand. It was the spirit that keep them fighting. Despite the harsh conditions, the Red Army resisted for over three days and finally broke out of the encirclement, showing their will and combat capability.
The film has successfully depicted several distinctive characters, among which Qin Jiwei impressed us most. His personality was quite full and complex.He was experienced in fighting and rich in war strategies. He showed his composure during the battles and made wise decisions about when to stay and when to leave. He also attended to others, and it killed him to shoot Guifang to death. He was fortunate enough to be the only one to survive and later became one of the generals who witnessed the victory of the Communist party and the foundation of the PRC. Guifang’s husband, Han, was warm-hearted and humorous. Peng was different from other soldiers. He appeared more like an intellectual, who was a little stubbon and conservative. But he recorded the combat with his pen and sacrificed his life. The song he sang shortly before death was really touching and heart-breaking.All the major characters had some characteristics in common: faithful to the army, brave and capable in fighting, and never be afraid of death.
This film is also impressive and worth praising because it successfully depicted several women characters. Gui fang is the most impressive one. She was courageous and capable. She fought against the enemy as men did, even when she was pregnant. As a woman, she regarded the interest of the army as more important than her own family. And the nurse was also bold. Confronting the brutal and savage enemy, she was weak and could do nothing except weeping. But she got the nerve to kill the enemy in fighting against the rape. Even a young girl showed her attendance of others and courage to fight and die. They all sacrificed themselves for the collective interests and more grandly, the ideal of liberation.
The film has its symbolic meaning. By telling the story of Qin Jiwei and other warriors who sacrificed their lives during the combats, the film indicates the difficulties and hardships of establishing a peaceful and prosperous country. While enjoying the life now, we should always remember those who shed blood to pave the way for a better tomorrow.
In terms of the technique of film expression, the three closes-up of Qin Jiwei impress me most. The first came after one wounded soldier said”the wounded are fighting forces in war”, and persuaded him to allow them to stay and fight. After taking a glimpse of all the wounded soldier, tears came into his eyes, and his facial expression was heartbreaking. The second came after he had no choice but to shoot Guifang in case she became the capture and was savagely abused. Tears was in his eyes and we sensed the deep sorrow and hatred in his heart. The last one came after the breaking out of the encirclement. After Pend left, he read the notebook on which the details of the combats had been clearly recorded, and he foresaw that they might never see each other again. Tears appeared in his eyes. He had lost almost all comrade-in-arms, but he knew that he should never surrender and must fight until the last minute of his life. The usage of closes-up focused on his facial expression and indicated his emotions, marking the progress of the story and functioning as symbols of each chapter. The structure was compact.The music was solemn and stirring. It created an atmosphere of combat and sacrifice.

悲哀啊《惊沙》！
一悲你那段尘封的历史，多少红军战士战死在马步芳部的铁蹄下，守高台，战临泽，游击于风雪祁连山，那白雪皑皑上，层层叠叠的是我们红军战士的尸体，殷殷鲜血染红了荒凉戈壁！
二悲你从此消逝的巾帼之旅，一千余女兵转战川陕甘屡立奇功，但在艰苦卓绝的西征路上，或英勇战死，或屈辱被俘，之后就是饱受凌辱、残害致死！
三悲你浴血悲歌，惨烈鏖战，风沙滚滚，蒿草残阳的历史，真实质朴的再现在电影里，却不想被享福的后人嘲笑远不如美国大片的战争特技！
四悲你被俘吊起在敌人的帐篷里，被敌人玩弄强奸时还受辱不屈，奋力一搏，直到最后年轻赤裸的身体上鲜血淋漓，曾经的活力从此逝去，却不想被沉沦麻木的后人嘲笑爱国主义不应卖肉！这是卖肉吗？影片的镜头裸而不露，一点也不低级，真正低级的是这样评论的人心！都只会争着去看《色戒》，大谈汤唯的性技；大陆不能上映《3D肉蒲团》，好多人争先恐后组团去香港看首映礼；日本武藤兰的假死就N多忘了祖的中国人拜祭，苍井空开个的博客就那么多中国人心有兮兮！现在笑这个残酷的镜头就叫低级？我看这个电影，我触痛于这样的镜头，我看到的是我们的同胞的曾经鲜活的身体被作为牛羊猪狗一样光溜溜的吊起，静静的，静静的，毫无生气。那一刻，我就好像看到南京大屠杀中那一车车同样光溜而让人震撼的尸体。这绝不是卖肉，是为了残酷的真实！那个裸，裸得凄美，裸得让人一看就想掉泪，如果评论“卖肉”的你也真的看过，却有卖肉的感觉，只能说，你的心本身就是龌龊的，无比低级！
五悲我泱泱中华大地，到处是炫耀IQ炫耀金钱逻辑混乱的所谓欧美大片，低级恶俗垃圾笑料拼凑的所谓贺岁喜剧，歌功颂德的历史事件的流水账似的所谓红色电影。好不容易有这样写实的历史片，它只是选取了历史的一个片段一个细节，甚至只是一个场景，但却被人断章取义为“为某个人歌功颂德”。我想起毛新宇计划为奶奶杨开慧拍摄一部电视剧一事，引发了记者们两会期间的追逐采访，甚至大家都忘记了他是作为政协委员来提如何“治淮”兴修水利的。其实有什么好奇怪的，现在很多这个老一代革命家的后代，都参与了拍摄老革命家题材影视作品这个组织工作。因为只有他们的父辈甚至祖辈真实的经历了那个年代。而历史的一个片断也不能展示出所有的人，否则就一定是七零八落，逻辑松散，什么也突出不了。可是有的人就一定要往别人头上扣个“功利心”的屎盆子，佛说“如果你看别人是屎，那你。。。”
六悲这样值得不忘历史还有点儿热血的中国人看的一部电影的推出，不但没有因为是主流电影而受到追捧，反而因为没有大牌明星没有商业炒作没有虚伪的互相吹捧而少有人问津，据说自三月中旬上映以来，很多地方的影院里只有零星的两三个人看，今天才过四月头，我很想看时，找遍大街小巷，偌大的广州城就没有上映这部戏的，有的甚至说，没有十个人看，当然不播放啦。还有不少人在网上唱，“谁让他不去农村播放啊？”这是个什么狗屁思想？其实现在很多京沪广的人，心早就被欧美港台给吃了去了，他们当中有些人崇洋媚外甚至到了都想被八国联军殖民了去的地步。最需要看这样的电影受这样的教育的正是这批人！而这批人表示不爱看不好看，只能说明我们社会太多都是贴着伪红色标签和外衣的作秀，冠冕堂皇之下缺乏真正触动人心的爱国主义教育！这是十分危险的！十分悲哀的！一切向“qian”看的今天，希望在思想上触动沉沦麻木的人，还真的很难。
本以为应是悲壮，最后只落得个“悲呼哀哉”!我只能在网上下载个不清晰版，就当是“清明时节雨纷纷，悼念先烈勇断魂”吧。