猜你喜欢
剧照
更新时间：2024-04-11 17:05
详细剧情
本片改编自畅销奇幻小说，从亚瑟王身后以精神信仰操控国家兴亡的三位女性的观点，一窥在亚瑟王传奇背后的众多阴谋门ddd。在片中，安洁莉卡休斯顿饰演迷雾之城亚法隆的主祭司－薇薇安，她是一位大湖女神，以维亚法隆的崇高地位，为其终身职志；茱莉安娜玛格莉丝饰演摩可儿，为钦定祭司继承人；琼安艾伦饰演凶残的摩可思，企图夺取王位，接掌千秋盛业。在重重的迷雾及流言诡计纷扰之下，国家存亡的局势已悄然底定……
长篇影评
1 ) the mists of Avalon
The Mists of Avalon
The movie “the mists of Avalon” is a very different movie to tell the Arthurian legends from the perspective of the female character including his mother Igraine; his half-sister Morgaine; his aunt Viviane, the Lady of the Lake and his wife, Gwenwyfar. The film also shows the decline of people’s faith in Avalon. The film is set in the period when Christian invaded England and people’s faith in Avalon gradually declined.
The distinction between this film and others is that rather than casting Arthur as a distant, unknown person with little or no explanation but from the perspective of the female characters to show a different Arthur. On the other hand, the focus of this film is Arthur’ sister, is presented as a woman with unique gifts and responsibilities at a time of enormous political and spiritual upheaval who is called upon to defend her indigenous matriarchal heritage against impossible odds. The film stands as a watershed for feminist interpretation of male-centered myth by articulating women's experiences at times of great change and shifts in gender-power. The typical battles, quests, and feuds of King Arthur's reign, however, act as secondary elements to the women's lives.
The movie “the mists of Avalon” is a very different movie to tell the Arthurian legends from the perspective of the female character including his mother Igraine; his half-sister Morgaine; his aunt Viviane, the Lady of the Lake and his wife, Gwenwyfar. The film also shows the decline of people’s faith in Avalon. The film is set in the period when Christian invaded England and people’s faith in Avalon gradually declined.
The distinction between this film and others is that rather than casting Arthur as a distant, unknown person with little or no explanation but from the perspective of the female characters to show a different Arthur. On the other hand, the focus of this film is Arthur’ sister, is presented as a woman with unique gifts and responsibilities at a time of enormous political and spiritual upheaval who is called upon to defend her indigenous matriarchal heritage against impossible odds. The film stands as a watershed for feminist interpretation of male-centered myth by articulating women's experiences at times of great change and shifts in gender-power. The typical battles, quests, and feuds of King Arthur's reign, however, act as secondary elements to the women's lives.
2 ) 亚瑟王 女性
看时介绍说是一部迷你电视连续剧，是用女性特有的细腻为我们讲述了有关女神和她如何在历史的长河中失落的故事。我想应该是这样的，最令我印象深刻及心疼的应该就是莫根了，她是亚瑟王的姐姐，也许因为是神母教的传人，她有着超越常人的坚强，但同样的她也只是一个徘徊在信仰与情感之间的柔弱女子，但在经历了粉身碎骨的痛苦之后，她明白了自己的使命并拥有了心灵，但正是因为这样，才让人更觉得心疼，心疼她所经历的一切，心疼她的身不由己。最终，迷雾笼罩了整个阿瓦隆，死亡和失落终结了这个时代，虽然有太多的不舍，但又何尝不是这个时代该有的命运呢。这个时代的终结其实与任何人都无关，人类文明的进步毁灭的又岂止是这些。
3 ) 对宗教的终极诠释
一部很有深度的影片！
借助历史传说，传达出在宗教圣洁的光影后隐藏的精神内涵，圣母就在人性的光辉中，短短的一句话，指明了宗教的产生，发展，与归宿
借助历史传说，传达出在宗教圣洁的光影后隐藏的精神内涵，圣母就在人性的光辉中，短短的一句话，指明了宗教的产生，发展，与归宿
4 ) clear away the mists of Avalon 拨开阿瓦隆的迷雾
亚瑟王的故事，是一段历史，也是一段传奇。抛开沉重的不一的历史与宗教学说，单从影片所展示出的故事，我们可以看到人性与宗教神学之间的联系与冲突，看到宗教神学背后的光明和阴暗面。
全片以亚瑟的姐姐摩根的一生为线索，通过不同代表性的人物为枝蔓展开，而影片的内涵也隐藏在人的身上。
薇薇安，湖泊女神，阿瓦隆最高女祭司。在我看来，她对神母却有着病态的尊崇，为达目的不择手段，甚至可以说六亲不认，代表着一种对宗教的盲目崇拜。她妄图通过控制皇室维护阿瓦隆的地位，却适得其反，神母逐渐被遗忘。宗教，只是人们的一种信仰，是个人的事情，不是控制人们的一种手段更不是政治手段，宗教之间的斗争其实是毫无意义的。只有人们认识到一种宗教的优越性，从心底里信奉，才能使之永存。举个不太美好的例子，清朝时的太平天国运动，领带人洪秀全创立拜上帝教，开始时受到广大人民群众的信奉，就是因为它的均田思想深入人心，人们便自发支持他信仰他。后来教义改变，变成为掌权者说话，失败接踵而至。再如基督教，传教士向民众传播它的思想，从而广为流传。梅林临终前对薇薇安说的话，就是想告诉她不要再妄图以人力控制人们的信仰。时代在变化，宗教也在不断进化演变，阿瓦隆的消亡只能说明她已经不适应新的社会，她的思想已经不被新时代的人们接受。那么，消亡不过是一种必然。
摩根，亚瑟同母异父的姐姐，从小背负着母亲害死父亲的事实，被设计与弟弟乱伦产子，被设计嫁给心爱的人的父亲，最后目睹弟弟与儿子的死亡，见证阿瓦隆的消亡。但命运的磨难并没有打倒她，她的心中装满了对亲人的爱，选择自己承担一切来保护弟弟，是一个坚强、智慧并充满纯真的女子。从母亲嫁给乌瑟潘龙到姐弟两个被梅林和薇薇安带走，中间这段天真烂漫无忧无虑的时光，是摩根心中渴望的东西，是她沉重的一生中少有的欢乐，但也衬托了后来的悲剧。坚强是她留给我的最深印象，不管遇到什么事情，甚至很多在我们看来根本无法接受的，她都默默承受了。很多时候，她会哭，或默默流泪，或嚎啕大哭，但从来不曾寻死觅活，不曾放弃爱放弃自我，而是一直在苦难背后寻找道路，在打击中磨练智慧。这种坚强，是很多男儿都不曾达到的，我甚至觉得亚瑟不过是生活在她的保护伞下的君王。她对神母的信仰才是一种真正的信仰，她曾对薇薇安大喊“我侍奉的是神母不是你！”。影片最终以“神母不过换了一个名字存在于人们心中”结束，正是揭示了宗教存在的意义，所谓宗教，所谓信仰，只是人们的心而已，她替薇薇安理解了什么叫做“all god is one god”。
摩葛丝，薇薇安的妹妹，从头到尾，其野心都不曾掩饰。这让我想起了一句古话，贪心不足蛇吞象。她与薇薇安本质上是一样的，起码在我看来是的，只不过一个为了宗教一个为了自己。贪婪，是人之常情，是人的一种劣根性。贪婪不可恨，可恨的是为达目的不择手段。原著中有一句话，“女神还有第四张脸，让我们祈祷摩葛丝不要戴上”。很显然，她戴上了。人无完人，每个人背后都有黑暗的一面，女神也不例外，就看你是否能够战胜它。有人说，人之初性本善，也有人说，人之初性本恶。其实我们本就是善恶矛盾的综合体，辩证法不只对事还对人，只是大多数时候我们都希望光明战胜黑暗，也确实需要这么做。
最后，让我们看看亚瑟，不客气的说，影片中的是我看过的最不欣赏的亚瑟，透过他我认识到，我命由我。总的来说，他不过是一个傀儡，懦弱、遵从。也许正因为如此，薇薇安才选择了他。王位是在阿瓦隆的帮助下得到的，妻子是为了维护宗教平衡娶的。他的命运一直都在由别人控制，遇到喜欢的女子也不去追寻只在心底留念。得知事情真相也只是选择了逃避，任由儿子为非作歹，最终还是在摩根的劝说下觉醒。命运真是个奇妙的东西，总会有人控制它，不是你就会是别人，与其做一个傀儡受别人摆布，不如努力抗争，自己选择前进的道路。正如西汉武帝，尽管从小没有实权一直受祖母控制，却不曾屈服，一直想办法抗争，最终成功夺得实权，创造了汉王朝的辉煌。最近刚看了一部影片，Invictus，讲述了曼德拉不向命运屈服的故事。是的，我命由我不由人，不管是高贵还是低贱的出身，命运的齿轮只能由自己转动。
我还是给这部影片冠以“沉重”的标签，也许是因为它讲述的是历史与宗教，也许是因为它是一个悲剧，看完之后心里面就像有东西堵着，不禁想到自己是多么幸福，不曾被这些沉重的内容压迫和束缚。平静下来，会发现其实影片中的每个人都能给你思考，他们本身就是一部部启示书，正如上面提到的，拨开萦绕阿瓦隆的迷雾，宗教的自发信仰，人心的坚强，贪婪的邪恶，命运的控制，纯正的爱情……这些迷雾背后的内容，才是值得我们深入思考的。
The story of King Arthur is a history and also a legend. Without regard to heavy mixed history and religious doctrines, only from this film, we can see the connection between the human nature and religious theology and conflict. We can also see the religious dark side behind the light.
The life of Arthur's sister Morgan is the clue. And the story is stated through different typical characters and the connotation of it is hidden in the human nature.
Vivian, the goddess of lakes, the highest priestess of Avalon, in my opinion, has a morbid respect to goddess. She represents a kind of blind worship of religion, machiavellian and indifferent. She wants to control royal to maintain the status of Avalon. On the contrary, the Avalon goddess gradually is forgotten by people. I think Religion is only a kind of faith and a personal thing. Therefore, it is not a way to control people, or politics. Religious conflict between different religions is meaningless. Only the advantages of a religion was realized, can it exist forever. For example, not too good, when the Tai Ping movement burst in Qing dynasty, the leader Hong Xiuquan created a religion called “Baishangdi” and it was embraced by the masses of people. At the beginning, the Juntian thought was deeply rooted in the hearts of people, spontaneous to support his beliefs. Teachings later changed, becoming the speaking for the ruler, and failure followed. Besides, such as Christianity, missionaries spread it to the people, thus it widely circulated. Merlin said to Vivian when he died. Do not control people's beliefs by her power. Times are changing with evolution of religion. And the death of Avalon just means she has not been adapted by the new society. Her mind is not accepted by people in a new era. So, disappearance is a necessity.
Morgan, Arthur's half sister, burdens the fact that her mother participated in killing his father since childhood, designed with brother incest, designed to marry her lover’s father, finally seeing brother and son's death, witnessing the death of Avalon. But fate doesn't beat her. Her heart is full of love. She chooses to undertake all to protect the younger brother. From my perspective, she is a tough, wise and pure woman. From mother married Uther to she and Arthur were taken away by the Merlin and Vivian, the middle period of childlike carefree time, is her rare joy in heavy life. But it is also the foil of later tragedy. Strong will is what she left me the deepest impression. No matter what things, even those we cannot accept a little, she silently bears. Most of the time, she would cry, or tears, or cry, but never attempt to suicide, never give up love or herself. She suffered them and found the future roads, using intelligence to fight. Lots of boys would never achieve this kind of strong will. I even think Arthur is a king under her umbrella. Her faith in god mother is a true belief. Once she yelled to Vivian "My service is god mother not you!" Film ends with "the goddess does not disappear but changes a name". It reveals the meaning of religious existence. The religion is just the hearts voice of people. She understands what is called "all god is one god" replacing Vivian.
Morgause, Vivian's sister, from beginning to end, her ambition is never hidden. This reminds me of the old saying, “greed has no limits”. She and Vivian are essentially same, at least, in my opinion, just one for religion one for herself. Greed is one of human nature. And it is a deep-rooted bad habit. Greed is not a hate. But Machiavellian is. There's a phrase in the book, "the goddess has the fourth face, let's pray the Morgause will not wear it". It is obvious that she wear .No one is perfect, everyone has a dark side. The goddess is not exceptional. What is important is whether you can overcome it. Some people say that people is good at the beginning, but others say we are bad at the beginning. Actually we are the complex of conflict between good and evil. And dialectics is not only suitable to the thing but also to people. And most of the time we hope that the light can win darkness and we really need to do so.
Finally, let's take a look at Arthur. I have to say the Arthur in the movie is the most inappreciative I have ever seen. Through him I realize that my life should be arranged by myself. Generally speaking, he is just a puppet, coward, and only following. Perhaps because of this, Vivian chooses him. His throne is with the help of Avalon, and his marriage is to maintain religious balance. His fate has been controlled by others, even won’t to pursue his lover only missing her at the bottom of heart as a souvenir. Found the truth about his son he just chooses to escape, letting the son do bad things. Eventually Morgan awakes him. Fate is a wonderful thing. Someone will control it, your will or other’s. Rather than become a puppet at the mercy of others, why not fight? Choose the future way on your will. For example, Han emperor Liuche, though real power has been controlled by his grandmother , never yielded. He struggled to find a way to, managed to obtain power, creating the brilliance of the Han dynasty. Recently I saw a film called “invictus”, telling the story of Nelson Mandela who refused to bow to the fate. Obviously, my fate is controlled by myself. Whether someone is noble or humble, the gear of his fate turns only by himself.
I still give the film a "heavy" label ,perhaps because it tells the history and religion, perhaps because it is a tragedy. After watching it, something stuck in my heart. I can not help but think about I am how happy without the content of these heavy oppression and bondage. Calm down, you will find that in fact every characters in the movie can drive you to consider something. They produce many apocalypses, as mentioned above. Through the mist around the lingering Avalon , you can touch the spontaneous religious beliefs, the heart of the strong will, the greedy evil, and the control of fate, the pure love...Behind these mists of content, is worthy of our deep thinking.
全片以亚瑟的姐姐摩根的一生为线索，通过不同代表性的人物为枝蔓展开，而影片的内涵也隐藏在人的身上。
薇薇安，湖泊女神，阿瓦隆最高女祭司。在我看来，她对神母却有着病态的尊崇，为达目的不择手段，甚至可以说六亲不认，代表着一种对宗教的盲目崇拜。她妄图通过控制皇室维护阿瓦隆的地位，却适得其反，神母逐渐被遗忘。宗教，只是人们的一种信仰，是个人的事情，不是控制人们的一种手段更不是政治手段，宗教之间的斗争其实是毫无意义的。只有人们认识到一种宗教的优越性，从心底里信奉，才能使之永存。举个不太美好的例子，清朝时的太平天国运动，领带人洪秀全创立拜上帝教，开始时受到广大人民群众的信奉，就是因为它的均田思想深入人心，人们便自发支持他信仰他。后来教义改变，变成为掌权者说话，失败接踵而至。再如基督教，传教士向民众传播它的思想，从而广为流传。梅林临终前对薇薇安说的话，就是想告诉她不要再妄图以人力控制人们的信仰。时代在变化，宗教也在不断进化演变，阿瓦隆的消亡只能说明她已经不适应新的社会，她的思想已经不被新时代的人们接受。那么，消亡不过是一种必然。
摩根，亚瑟同母异父的姐姐，从小背负着母亲害死父亲的事实，被设计与弟弟乱伦产子，被设计嫁给心爱的人的父亲，最后目睹弟弟与儿子的死亡，见证阿瓦隆的消亡。但命运的磨难并没有打倒她，她的心中装满了对亲人的爱，选择自己承担一切来保护弟弟，是一个坚强、智慧并充满纯真的女子。从母亲嫁给乌瑟潘龙到姐弟两个被梅林和薇薇安带走，中间这段天真烂漫无忧无虑的时光，是摩根心中渴望的东西，是她沉重的一生中少有的欢乐，但也衬托了后来的悲剧。坚强是她留给我的最深印象，不管遇到什么事情，甚至很多在我们看来根本无法接受的，她都默默承受了。很多时候，她会哭，或默默流泪，或嚎啕大哭，但从来不曾寻死觅活，不曾放弃爱放弃自我，而是一直在苦难背后寻找道路，在打击中磨练智慧。这种坚强，是很多男儿都不曾达到的，我甚至觉得亚瑟不过是生活在她的保护伞下的君王。她对神母的信仰才是一种真正的信仰，她曾对薇薇安大喊“我侍奉的是神母不是你！”。影片最终以“神母不过换了一个名字存在于人们心中”结束，正是揭示了宗教存在的意义，所谓宗教，所谓信仰，只是人们的心而已，她替薇薇安理解了什么叫做“all god is one god”。
摩葛丝，薇薇安的妹妹，从头到尾，其野心都不曾掩饰。这让我想起了一句古话，贪心不足蛇吞象。她与薇薇安本质上是一样的，起码在我看来是的，只不过一个为了宗教一个为了自己。贪婪，是人之常情，是人的一种劣根性。贪婪不可恨，可恨的是为达目的不择手段。原著中有一句话，“女神还有第四张脸，让我们祈祷摩葛丝不要戴上”。很显然，她戴上了。人无完人，每个人背后都有黑暗的一面，女神也不例外，就看你是否能够战胜它。有人说，人之初性本善，也有人说，人之初性本恶。其实我们本就是善恶矛盾的综合体，辩证法不只对事还对人，只是大多数时候我们都希望光明战胜黑暗，也确实需要这么做。
最后，让我们看看亚瑟，不客气的说，影片中的是我看过的最不欣赏的亚瑟，透过他我认识到，我命由我。总的来说，他不过是一个傀儡，懦弱、遵从。也许正因为如此，薇薇安才选择了他。王位是在阿瓦隆的帮助下得到的，妻子是为了维护宗教平衡娶的。他的命运一直都在由别人控制，遇到喜欢的女子也不去追寻只在心底留念。得知事情真相也只是选择了逃避，任由儿子为非作歹，最终还是在摩根的劝说下觉醒。命运真是个奇妙的东西，总会有人控制它，不是你就会是别人，与其做一个傀儡受别人摆布，不如努力抗争，自己选择前进的道路。正如西汉武帝，尽管从小没有实权一直受祖母控制，却不曾屈服，一直想办法抗争，最终成功夺得实权，创造了汉王朝的辉煌。最近刚看了一部影片，Invictus，讲述了曼德拉不向命运屈服的故事。是的，我命由我不由人，不管是高贵还是低贱的出身，命运的齿轮只能由自己转动。
我还是给这部影片冠以“沉重”的标签，也许是因为它讲述的是历史与宗教，也许是因为它是一个悲剧，看完之后心里面就像有东西堵着，不禁想到自己是多么幸福，不曾被这些沉重的内容压迫和束缚。平静下来，会发现其实影片中的每个人都能给你思考，他们本身就是一部部启示书，正如上面提到的，拨开萦绕阿瓦隆的迷雾，宗教的自发信仰，人心的坚强，贪婪的邪恶，命运的控制，纯正的爱情……这些迷雾背后的内容，才是值得我们深入思考的。
The story of King Arthur is a history and also a legend. Without regard to heavy mixed history and religious doctrines, only from this film, we can see the connection between the human nature and religious theology and conflict. We can also see the religious dark side behind the light.
The life of Arthur's sister Morgan is the clue. And the story is stated through different typical characters and the connotation of it is hidden in the human nature.
Vivian, the goddess of lakes, the highest priestess of Avalon, in my opinion, has a morbid respect to goddess. She represents a kind of blind worship of religion, machiavellian and indifferent. She wants to control royal to maintain the status of Avalon. On the contrary, the Avalon goddess gradually is forgotten by people. I think Religion is only a kind of faith and a personal thing. Therefore, it is not a way to control people, or politics. Religious conflict between different religions is meaningless. Only the advantages of a religion was realized, can it exist forever. For example, not too good, when the Tai Ping movement burst in Qing dynasty, the leader Hong Xiuquan created a religion called “Baishangdi” and it was embraced by the masses of people. At the beginning, the Juntian thought was deeply rooted in the hearts of people, spontaneous to support his beliefs. Teachings later changed, becoming the speaking for the ruler, and failure followed. Besides, such as Christianity, missionaries spread it to the people, thus it widely circulated. Merlin said to Vivian when he died. Do not control people's beliefs by her power. Times are changing with evolution of religion. And the death of Avalon just means she has not been adapted by the new society. Her mind is not accepted by people in a new era. So, disappearance is a necessity.
Morgan, Arthur's half sister, burdens the fact that her mother participated in killing his father since childhood, designed with brother incest, designed to marry her lover’s father, finally seeing brother and son's death, witnessing the death of Avalon. But fate doesn't beat her. Her heart is full of love. She chooses to undertake all to protect the younger brother. From my perspective, she is a tough, wise and pure woman. From mother married Uther to she and Arthur were taken away by the Merlin and Vivian, the middle period of childlike carefree time, is her rare joy in heavy life. But it is also the foil of later tragedy. Strong will is what she left me the deepest impression. No matter what things, even those we cannot accept a little, she silently bears. Most of the time, she would cry, or tears, or cry, but never attempt to suicide, never give up love or herself. She suffered them and found the future roads, using intelligence to fight. Lots of boys would never achieve this kind of strong will. I even think Arthur is a king under her umbrella. Her faith in god mother is a true belief. Once she yelled to Vivian "My service is god mother not you!" Film ends with "the goddess does not disappear but changes a name". It reveals the meaning of religious existence. The religion is just the hearts voice of people. She understands what is called "all god is one god" replacing Vivian.
Morgause, Vivian's sister, from beginning to end, her ambition is never hidden. This reminds me of the old saying, “greed has no limits”. She and Vivian are essentially same, at least, in my opinion, just one for religion one for herself. Greed is one of human nature. And it is a deep-rooted bad habit. Greed is not a hate. But Machiavellian is. There's a phrase in the book, "the goddess has the fourth face, let's pray the Morgause will not wear it". It is obvious that she wear .No one is perfect, everyone has a dark side. The goddess is not exceptional. What is important is whether you can overcome it. Some people say that people is good at the beginning, but others say we are bad at the beginning. Actually we are the complex of conflict between good and evil. And dialectics is not only suitable to the thing but also to people. And most of the time we hope that the light can win darkness and we really need to do so.
Finally, let's take a look at Arthur. I have to say the Arthur in the movie is the most inappreciative I have ever seen. Through him I realize that my life should be arranged by myself. Generally speaking, he is just a puppet, coward, and only following. Perhaps because of this, Vivian chooses him. His throne is with the help of Avalon, and his marriage is to maintain religious balance. His fate has been controlled by others, even won’t to pursue his lover only missing her at the bottom of heart as a souvenir. Found the truth about his son he just chooses to escape, letting the son do bad things. Eventually Morgan awakes him. Fate is a wonderful thing. Someone will control it, your will or other’s. Rather than become a puppet at the mercy of others, why not fight? Choose the future way on your will. For example, Han emperor Liuche, though real power has been controlled by his grandmother , never yielded. He struggled to find a way to, managed to obtain power, creating the brilliance of the Han dynasty. Recently I saw a film called “invictus”, telling the story of Nelson Mandela who refused to bow to the fate. Obviously, my fate is controlled by myself. Whether someone is noble or humble, the gear of his fate turns only by himself.
I still give the film a "heavy" label ,perhaps because it tells the history and religion, perhaps because it is a tragedy. After watching it, something stuck in my heart. I can not help but think about I am how happy without the content of these heavy oppression and bondage. Calm down, you will find that in fact every characters in the movie can drive you to consider something. They produce many apocalypses, as mentioned above. Through the mist around the lingering Avalon , you can touch the spontaneous religious beliefs, the heart of the strong will, the greedy evil, and the control of fate, the pure love...Behind these mists of content, is worthy of our deep thinking.
5 ) 永远的王·雾中的岛
《The mists of Avalon》（《亚瑟王传奇》/《阿瓦隆迷雾》）
不是今年那部票房惨淡的《King Arthur》（《亚瑟王》）,而是2001年，根据魔幻小说家Marion Zimmer Bradley1982年的同名小说改编的迷你剧集。是属于目前为止，我所见到的对有关亚瑟王传奇及其人物体系交待最为丰富和完整的影视作品了。亚瑟、桂妮蔚、兰斯洛特、梅林、湖中夫人等等人物都有出现，并且如蟠龙在梅林协助下幽会伊格琳生下压瑟、亚瑟和姐姐摩根结合生下毛德列、兰斯洛特和湖中夫人的关系、毛德列轼父等平时罕见有出现的情节也一一交待，算是让我这个准亚瑟迷过了些瘾头。
相比今年出品的《亚瑟王》，这部《阿瓦隆迷雾》的气质要阴柔迷离的多，虽然也有些战场厮杀血肉横飞的镜头，但重点却决非于亚瑟大一统的征战过程。所有的男性角色都隐藏在了女性背后，亚瑟和兰斯洛特因为搭着桂尼蔚的关系，还稍多一些镜头，其他的圆桌骑士，统统成了只会在餐桌上大块朵颐的食客。
其实这从片名《the mists of Avalon》已经可以了解，为什么不是《the mists of Camelot》？Camelot（卡米洛城）是亚瑟统一不列颠建立丰功伟业的城堡，而Avalon则是传说中亚瑟和毛德列决战后，灵魂归处的神秘岛屿。
“岸边，月光里驶来一艘披着黑纱的帆船；船上清一色黑衣女子，为首三人头戴凤冠，啼哭不止。亚瑟命伯畏将自己背上船放下，三女王迎上前来，其中个头高高，面目皎洁的那位将国王的脑袋靠在自己怀里，称他兄弟。”
Marion Zimmer Bradley大概就是从“三女王接归亚瑟”中得到了灵感，干脆以在传说中“云霞明灭或可睹”的阿瓦隆岛为源，把大不列颠王荡气回肠的征战史写成一段亦真亦幻的传奇。
阿瓦隆，隐藏在大雾弥漫的湖中，她是湖中夫人的居所，是女神的圣地。当基督教在大不列颠岛如火如荼的遍布开的时候，从前崇拜the Godness（女神）的人民纷纷投向the God（上帝），湖中夫人对未来的担忧、焦虑一天天的增加。为了维护女神的地位，她和梅林策划了蟠龙王和伊格林的邂逅，带走亚瑟同母异父的姐姐摩根教授其法术，协助亚瑟取得“削钢剑”，设计亚瑟和姐姐摩根乱伦生下毛德列……湖中夫人倾其一生乃至性命，皆是为了能让“女神”信仰在人世间永驻，能让传承Avalon血液的亚瑟和摩根在中土继续维护阿瓦隆的势力，能让女神的尊严在世间永远歌颂。
这是一场古老神祗在新文明到临前争取生存的斗争，是新旧两个时代交锋的一场迷雾。显然其中隐隐象征/比喻着母系氏族的没落（但是如果按照年份来考，又不足信），或者更加确切的说，是人类在历经了自然原始力量的崇拜后，随着对未知越来越多的的掌控，开始摈弃野性的力量，崇尚文明的一番历程。
亚瑟在之前的诸多艺术作品中，一直是以一个虔诚的基督徒形象出现，还有发动圆桌骑士寻找圣杯的行为。在片中，他虽然继承着纯正阿瓦隆血统，却娶了信仰基督教的桂尼蔚，他是一个试图在女神和上帝中寻找平衡的王，但这种结合原本就脆弱，甚至连他自己都无法同时对两个神保持相等的爱和信仰！而女神祭祀的继承者摩根得知自己中计和亚瑟结合，羞愧愤怒地和阿瓦隆/湖中夫人斩断关系。这是湖中夫人始料未及的结果，孤注一掷的她，去依靠毛德列，却不知道他早已在养母的教唆下背弃了阿瓦隆的真义。
父子俩在战场上的厮杀毁灭了阿瓦隆最后的继承人，当上帝的子民越来越多，也就意味着阿瓦隆的魔力在人世间越来模糊。阿瓦隆不可避免的消失在了茫茫的白雾中。
阿瓦隆的衰灭是片子的主线，穿插其中的，才是亚瑟王和他的骑士们：兰斯洛特的骑士之爱，毛德列的大逆不道，卡米洛城，圆桌，战争……
这还是不是原汁原味的亚瑟王？或许，像克里夫·欧文那样浴血疆场的才是更加贴近历史的真实（《亚瑟王》）；或许，像肖恩·康纳利那样庄严凛然才是“永远的王”（《第一骑士》）；或许……
谁知道呢，谁又曾知道呢？The mists of Avalon!
导演：Uli Edel
编剧：Marion Zimmer Bradley (novel)/Gavin Scott (teleplay)
演员:
Anjelica Huston ..... Viviane
Julianna Margulies ..... Morgaine
Joan Allen ..... Morgause
Samantha Mathis ..... Gwenwyfar
Caroline Goodall ..... Igraine
Edward Atterton ..... Arthur
Michael Vartan ..... Lancelot
Michael Byrne ..... Merlin
Hans Matheson ..... Mordred
官方网站：http://tnt.turner.com/movies/tntoriginals/mists/
注：根据资料，得知1998年，美国曾出品《Merlin》（《梅林》），想来是另一种视角，根据评价“瑰丽的爱与魔法”猜测，写的应该是梅林与湖中夫人爱恨交织的一段，而布列松的《兰斯洛特》不知道，什么时候能有机缘一睹
不是今年那部票房惨淡的《King Arthur》（《亚瑟王》）,而是2001年，根据魔幻小说家Marion Zimmer Bradley1982年的同名小说改编的迷你剧集。是属于目前为止，我所见到的对有关亚瑟王传奇及其人物体系交待最为丰富和完整的影视作品了。亚瑟、桂妮蔚、兰斯洛特、梅林、湖中夫人等等人物都有出现，并且如蟠龙在梅林协助下幽会伊格琳生下压瑟、亚瑟和姐姐摩根结合生下毛德列、兰斯洛特和湖中夫人的关系、毛德列轼父等平时罕见有出现的情节也一一交待，算是让我这个准亚瑟迷过了些瘾头。
相比今年出品的《亚瑟王》，这部《阿瓦隆迷雾》的气质要阴柔迷离的多，虽然也有些战场厮杀血肉横飞的镜头，但重点却决非于亚瑟大一统的征战过程。所有的男性角色都隐藏在了女性背后，亚瑟和兰斯洛特因为搭着桂尼蔚的关系，还稍多一些镜头，其他的圆桌骑士，统统成了只会在餐桌上大块朵颐的食客。
其实这从片名《the mists of Avalon》已经可以了解，为什么不是《the mists of Camelot》？Camelot（卡米洛城）是亚瑟统一不列颠建立丰功伟业的城堡，而Avalon则是传说中亚瑟和毛德列决战后，灵魂归处的神秘岛屿。
“岸边，月光里驶来一艘披着黑纱的帆船；船上清一色黑衣女子，为首三人头戴凤冠，啼哭不止。亚瑟命伯畏将自己背上船放下，三女王迎上前来，其中个头高高，面目皎洁的那位将国王的脑袋靠在自己怀里，称他兄弟。”
Marion Zimmer Bradley大概就是从“三女王接归亚瑟”中得到了灵感，干脆以在传说中“云霞明灭或可睹”的阿瓦隆岛为源，把大不列颠王荡气回肠的征战史写成一段亦真亦幻的传奇。
阿瓦隆，隐藏在大雾弥漫的湖中，她是湖中夫人的居所，是女神的圣地。当基督教在大不列颠岛如火如荼的遍布开的时候，从前崇拜the Godness（女神）的人民纷纷投向the God（上帝），湖中夫人对未来的担忧、焦虑一天天的增加。为了维护女神的地位，她和梅林策划了蟠龙王和伊格林的邂逅，带走亚瑟同母异父的姐姐摩根教授其法术，协助亚瑟取得“削钢剑”，设计亚瑟和姐姐摩根乱伦生下毛德列……湖中夫人倾其一生乃至性命，皆是为了能让“女神”信仰在人世间永驻，能让传承Avalon血液的亚瑟和摩根在中土继续维护阿瓦隆的势力，能让女神的尊严在世间永远歌颂。
这是一场古老神祗在新文明到临前争取生存的斗争，是新旧两个时代交锋的一场迷雾。显然其中隐隐象征/比喻着母系氏族的没落（但是如果按照年份来考，又不足信），或者更加确切的说，是人类在历经了自然原始力量的崇拜后，随着对未知越来越多的的掌控，开始摈弃野性的力量，崇尚文明的一番历程。
亚瑟在之前的诸多艺术作品中，一直是以一个虔诚的基督徒形象出现，还有发动圆桌骑士寻找圣杯的行为。在片中，他虽然继承着纯正阿瓦隆血统，却娶了信仰基督教的桂尼蔚，他是一个试图在女神和上帝中寻找平衡的王，但这种结合原本就脆弱，甚至连他自己都无法同时对两个神保持相等的爱和信仰！而女神祭祀的继承者摩根得知自己中计和亚瑟结合，羞愧愤怒地和阿瓦隆/湖中夫人斩断关系。这是湖中夫人始料未及的结果，孤注一掷的她，去依靠毛德列，却不知道他早已在养母的教唆下背弃了阿瓦隆的真义。
父子俩在战场上的厮杀毁灭了阿瓦隆最后的继承人，当上帝的子民越来越多，也就意味着阿瓦隆的魔力在人世间越来模糊。阿瓦隆不可避免的消失在了茫茫的白雾中。
阿瓦隆的衰灭是片子的主线，穿插其中的，才是亚瑟王和他的骑士们：兰斯洛特的骑士之爱，毛德列的大逆不道，卡米洛城，圆桌，战争……
这还是不是原汁原味的亚瑟王？或许，像克里夫·欧文那样浴血疆场的才是更加贴近历史的真实（《亚瑟王》）；或许，像肖恩·康纳利那样庄严凛然才是“永远的王”（《第一骑士》）；或许……
谁知道呢，谁又曾知道呢？The mists of Avalon!
导演：Uli Edel
编剧：Marion Zimmer Bradley (novel)/Gavin Scott (teleplay)
演员:
Anjelica Huston ..... Viviane
Julianna Margulies ..... Morgaine
Joan Allen ..... Morgause
Samantha Mathis ..... Gwenwyfar
Caroline Goodall ..... Igraine
Edward Atterton ..... Arthur
Michael Vartan ..... Lancelot
Michael Byrne ..... Merlin
Hans Matheson ..... Mordred
官方网站：http://tnt.turner.com/movies/tntoriginals/mists/
注：根据资料，得知1998年，美国曾出品《Merlin》（《梅林》），想来是另一种视角，根据评价“瑰丽的爱与魔法”猜测，写的应该是梅林与湖中夫人爱恨交织的一段，而布列松的《兰斯洛特》不知道，什么时候能有机缘一睹
6 ) 命运半点不由人
个人记录，随便瞎说说。
—— —— —— ——
感觉80%的钻人都会喜欢阿瓦隆迷雾。
所有人都试图与命运抗争，所有人都失败了😢
（以及所有人都在乱搞男女关系🤤
本来是冲着阿瓦隆骨去的，没想到是个大🐔院，更喜欢了。
骨科人超级满足，亚瑟连老婆被兰斯洛特拐跑了都不介意，但看到姐姐和兰斯洛特说两句话就开始眉头紧锁，姐姐嫁人他也百般推脱。摩根是他的血亲，是他的爱人，是他出生时的迎接者，是他死亡时的送行人，他一生的起点和终点都是摩根。旁观者都清楚他对姐姐有奇怪的情愫，只有他自己一直看不清。
这版小莫选角好牛，阴鸷狠戾。他告诉亚瑟他的身世那段戏看得我爽死了，演的真好。第一句“I am your son”的时候他还不敢直视父亲，然后才敢转眼看亚瑟，又坚定地说出了第二遍“I, am your son”。他迫不及待地向亚瑟揭露残酷的真相，说到“you coupled with her”的时候他笑了，带着复仇的快感，我就是你们乱伦的产物，也是你唯一的继承人，这是你无法反驳的事实，是你永远无法洗清的罪恶。
后面战场上他的眼神戏也好棒，年轻的狼王在与父亲决斗时眼神凶狠，却在弑父的那一刻留下眼泪。倒在母亲怀里的时候他终于露出了真心的笑容。我看到这满脑子都是“母亲，你也会为我流泪吗？”😢好苦啊小狼。
7 ) 境界不高
血统论，宿命论，这种论调是特别低级的，是人没有从动物进化到文明所本能持有的思想，是平等的敌人，是自由的敌人。
而且，本片还体现了我所厌恶的一种特征：人物的缺心眼。一些人物（比如阿瑟的母亲）往往听到一个消息，或者听到一种说法，或遇到一件事情，就无限的惶恐和哀伤，丝毫没有任何思考能力，没有精神战斗能力，遇到事情动的是感情而不是头脑，这种愚蠢我一直最为厌恶和最不能忍受。
所以，无论电影从情节上多么曲折，无论从细节上看多么动人，无论从表现上看多么华丽，都是金玉其外、败絮其中的垃圾。
本来看这部电影也是冲着魔法和异域看的，现在来看，看看它的魔法和异域也就算了，也不算是白看一场。
而且，本片还体现了我所厌恶的一种特征：人物的缺心眼。一些人物（比如阿瑟的母亲）往往听到一个消息，或者听到一种说法，或遇到一件事情，就无限的惶恐和哀伤，丝毫没有任何思考能力，没有精神战斗能力，遇到事情动的是感情而不是头脑，这种愚蠢我一直最为厌恶和最不能忍受。
所以，无论电影从情节上多么曲折，无论从细节上看多么动人，无论从表现上看多么华丽，都是金玉其外、败絮其中的垃圾。
本来看这部电影也是冲着魔法和异域看的，现在来看，看看它的魔法和异域也就算了，也不算是白看一场。
迷雾湖泊，女性荒原。后段节奏加快，角色打造不细致，引子和前篇都有好看的元素。宗教和父权王庭进退维谷，神女最先被浪潮推向前，再摒弃。摩根、格温，甚至摩高斯都如出一辙，本该同呼吸的女性，被挑拨、嘲弄。不接纳命定的母权主旨，一朝将权力付托自身，则被冠上了恶名。Joan Allen表演最佳，不同于薇薇安夫人盛气凌人保全“神性”，或是摩根诚惶诚恐为人，她的残酷始终决绝
虽然并非改编自马洛里的原著，但依然无碍于其成为迄今为止最好的亚瑟王题材影视作品。和大多数亚瑟王电影以亚瑟、梅林和圆桌骑士们为主线不同，本片把湖中女仙薇薇安、伊格莱恩、摩高斯、摩根、吉娜薇等女性角色推到台前，让她们引导时代变幻。原凯尔特女神崇拜与基督教之间的冲突与融合作为大背景，赋予了整部电影为女性主义溯源的立意。传说时代虽然覆灭，但传说本身却流传下来，古老的女神崇拜在基督教圣母玛利亚身上得到复活，似乎是很有意思的一个宗教史角度。
搞毛线啊那么乱
女主角是艾丽莎~这个故事是凄美还是悲壮，好像都是，又好像都不是。
绝对是目前为止对有关亚瑟王传奇及其人物体系交待最为丰富和完整的影视作品，对我中学时候看的《圆桌武士》所养成的观感有很大颠覆。喜欢这段传说的人不要错过，值得一看。
骑士和王后是一对狗男女，国王和姐姐很不错。最恶心的是那个乱伦子。哦，英国人的圣斗士星矢和清宫秘史……
出色的神话史诗。我热爱凯尔特传说
看完之后略有失望，不是一个聪明的故事，却是一个宿命的故事。
三星半吧。Morgaine这个角色还是挺讨喜的，但是电影总体上来说……既美好又神奇又狗血又囧orz，尤其是后半部分……不知道原著怎么样。总之看完这部电影之后我对亚瑟王传说新近燃起的兴趣小火苗基本上熄灭了一半……
Fantasy! Julianna Margulies在电影上的表现令人印象深刻!!
好好一个亚瑟王，你让他和姐姐摩根乱伦就算了，毕竟传说里就这样的，但你还让他无比豪放地和桂妮薇儿兰斯洛特3P，导演你是闹哪样……不过算是完整地还原了亚瑟王传奇里的人物关系和故事脉络吧，音乐很棒。
Arthur Pendragon又被Lancelot抢戏。
女性视角的亚瑟王传说，10年后的小摩根成了王后，10年后的大摩根成了good wife^_^，音乐狂赞，从没想过麦姐的悲劲苍凉的NewAge能和古老的亚瑟王传说如此契合。
看得我各种震惊，姐弟乱伦就算了，亚兰滚3P又是闹哪样？这尺度令我不由得感慨BBC家的Merlin果然是儿童剧。演员都蛮靠谱，尤其Julianna，不算惊艳但很耐看。只是剧中人的逻辑都很有问题，还有本来大可发挥的magic，除了千里传音拨云散雾就没别的用途了，阿瓦隆最高女祭司竟被小莫一剑刺死弱爆了简直！
看到了小Freddie 在这样惨烈的新旧文明撞击中，女神们不可避免地走向了衰败。电影中湖夫人竭力维护的女神的最后尊严，但已无力回天。最终迷雾笼罩了阿瓦隆，一切归于沉寂。阿法隆的消失是必然的，并不是叛逆的摩根造成的，也不是野心的莫德里德造成的。当湖夫人死去时，有种美丽消失了。
亲妈太懦弱，连自己带一双儿女被大姨妈小姨妈算计利用。女神们信誓旦旦要守住自己的信仰和土地，但亲姐妹都不团结，不尊重现实和人情，整天搞些僵化教条的预言，难怪旧宗教要灭亡了呀。
几年前收集英格兰历史资料的时候找到这个片子，尽管很多不同的描述，但是仍对这部分传说很感兴趣，屠龙勇士，圣杯骑士，巫师等等，不同的历史决定了不同的文化，了解他们的文化就如同精神在旅游一样。
尺度好大，哈哈。妻子帮别人弄死深爱的丈夫，然后与别人结婚、同母异父姐弟乱伦并生下逆子、国王老公指使皇后和属下一起3p、母亲抛弃初生婴儿、爱儿子却嫁给老爸、通奸私奔、子谋父之国、父子相残双双毙命。。傲骨贤妻领衔主演，一切尽在本部电影，欢迎观看。ps：美女不多，帅哥不少。配乐好听
6/10。亚瑟王一个宣扬骑士制度的文本变成了新生基督教和原始宗教之间的斗争，薇薇安逼迫已婚的妹妹嫁给尤瑟达到女神血统和世俗王权的妥协，但亚瑟和桂妮维尔的自由爱恋破坏了基督的禁欲含义，为了获得上帝的宽恕能怀孕，以泪逼迫亚瑟放倒了父亲尤瑟在战场上高举的异教龙旗，抛弃了女神信仰，最终抛入空中的石中剑被闪电赋形为十字架，湖心的阿瓦隆所代表的大地母神伴随着基督教堂沉阴的钟声隐于迷雾。服化道粗疏，特效现在看来也十分可笑，场景的频繁切换（摩根成为祭司与伊格雷恩想念女儿摩根，亚瑟和摩根做爱与篝火舞蹈的场景切换）并没有避免情绪的平面化，把女巫摩根重新翻案成丧父、乱伦、生子和错嫁的可怜女子，把亚瑟王及其骑士们放于一个宗教斗争中的傀儡位置和牺牲品，亚瑟像是周旋于女色、被迫父子相残的愚者，丧失了宏大冒险叙事的传奇色彩。
我看过的最好的一部关于亚瑟王的片子